Disability Pride

In Disability, Public Space Performance and Spectatorship: Unconscious Performers, Bree Hadley examines the performance practices of disabled artists in the US, UK, Europe and Australasia who re-engage, re-enact and re-envisage the stereotyping they are subject to in the very public spaces and places where this stereotyping typically plays out.

Disability Aesthetics ambitiously redefines both 'disability' and 'aesthetics,' showing us that disability is central not only to modern art but also to the way we apprehend (and interact with) bodies and buildings. Along the way, Tobin Siebers revisits the beautiful and the sublime, 'degenerate' art and 'disqualified' bodies, culture wars and condemned neighborhoods, the art of Marc Quinn and the fiction of Junot Díaz---and much, much more. Disability Aesthetics is a stunning achievement, a must-read for anyone interested in how to understand the world we half create and half perceive.

The performance texts (for pre-existing groups of performers) gathered here explore issues surrounding the phenomenon of disability in our 21st century culture. They pose vital questions about the nature of inclusion, what it means to be 'different', and how equipped we are to accept 'diversity'.

Challenging the ways in which ideas about the future and time have been deployed in the service of compulsory able-bodiedness and able-mindedness, Kafer rejects the idea of disability as a pre-determined limit. She juxtaposes theories, movements, and identities such as environmental justice, reproductive justice, cyborg theory, transgender politics, and disability that are typically discussed in isolation and envisions new possibilities for crip futures and feminist/queer/crip alliances.

First published in 1999, the groundbreaking Exile and Pride is essential to the history and future of disability politics. Eli Clare's revelatory writing about his experiences as a white disabled genderqueer activist/writer established him as one of the leading writers on the intersections of queerness and disability and permanently changed the landscape of disability politics and queer liberation.

Through the intimacy of one-on-one storytelling, gay men with mobility and neuromuscular disorders, spinal cord injury, deafness, blindness, and AIDS, fight isolation from society--and each other--to establish a public identity and a common culture. Queer Crips features over 30 first-hand accounts from a variety of perspectives, illuminating the reality of the everyday struggle disabled gay men face. This title won the 2004 Lambda Literary Award for Anthologies/Non-fiction.

Disability Studies diverge from the medical model of disability (which argues that disabled subjects can and should be "fixed") to view disability as socially constructed, much in the same way other identities are. The work of reading black and disabled bodies is not only recovery work, but work that requires a willingness to deconstruct the systems that would keep those bodies in separate spheres.

A compelling, courageously written description of one man’s journey through bone marrow transplantation, one of the most arduous and extraordinary medical interventions that some people are compelled to choose and endure.

Written with the vivid, cinematic prose of a visual artist, and the love and playfulness that defines all of Riva's work, Golem Girl is an extraordinary story of survival and creativity. With the author's magnificent portraits featured throughout, this memoir invites us to stretch ourselves toward a world where bodies flow between all possible forms of what it is to be human.

The first critical study of personal narrative by women with disabilities, Unruly Bodies examines how contemporary writers use life writing to challenge cultural stereotypes about disability, gender, embodiment, and identity.

This title presents essays on narrative works written by persons with disabilities. The disabilities covered in these works are mostly physical, but psychological/psychiatric conditions, developmental/intellectual impairments, and addiction are also included. The works date from as early as 1470 to as recent as 2018. While most of the authors are from the US, one-third of the works are by authors from elsewhere around the globe. Care was also given to represent a wide range of other cultures, heritage, and lifestyles, in areas such as religion, sexual orientation, gender identification, color, and other factors that, along with disability, constitute intersectional experiences.

Judith is barely out of her teens when a tumor begins pressing on her brain, ushering in a new world of seizures, memory gaps, and loss of self. Suddenly, the sentence of her normal life has been interrupted by the opening of a parenthesis that may never close. Based on the real experiences of cartoonist Élodie Durand, Parenthesis is a gripping testament of struggle, fragility, acceptance, and transformation which was deservedly awarded the Revelation Prize of the Angoulãeme International Comics Festival.

Chosen by the American Library Association as a 2012 Notable Book in Poetry, Beauty is a Verb is a ground-breaking anthology of disability poetry, essays on disability, and writings on the poetics of both. Crip Poetry. Disability Poetry. Poems with Disabilities. This is where poetry and disability intersect, overlap, collide and make peace.

This is a story of sign language and lip-reading, cochlear implants and civil rights, isolation and injustice, first love and loss, and, above all, great persistence, daring, and joy. Absorbing and assured, idiosyncratic and relatable, this is an unforgettable journey into the Deaf community and a universal celebration of human connection.

Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

In Between Spaces centers the experiences of thirty-three disabled poets, short-story writers, and essayists as they navigate the physical and emotional complexities of disability, chronic illness, neurodivergence, and mental illness. Compiled by an editorial team of disabled writers, this timely collection of often-overlooked voices celebrates joy, freedom, and the power of agency, while at the same time confronting and challenging the stigmas and barriers, visible and invisible, that too often come to define life with a disability.

Focusing primarily on the work of Samuel Beckett, Toni Morrison, Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly cross-cultural, interdisciplinary study of the representation of physical disability. Quayson suggests that the subliminal unease and moral panic invoked by the disabled is refracted within the structures of literature and literary discourse itself, a crisis he terms 'aesthetic nervousness.' The disabled reminds the able-bodied that the body is provisional and temporary and that normality is wrapped up in certain social frameworks. Quayson expands his argument by turning to Greek and Yoruba writings, African American and postcolonial literature, depictions of deformed characters in early modern England and the plays of Shakespeare, and children's films, among other texts. He considers how disability affects interpersonal relationships and forces the character and the reader to take an ethical standpoint, much like representations of violence, pain, and the sacred. The disabled are also used to represent social suffering, inadvertently obscuring their true hardships.

This work traces how black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender and (dis)ability. Bridging black feminist theory and disability studies, the author demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.