"After failing his university entrance exams for the third year in a row, Min Suk, a directionless twenty-something Korean man, travels to New York to vist his long-distance girlfriend Yeon Jae. Over the course of a rollercoaster week, he experiences both the thrill of losing himself in a new city and the bitter realization that his relationship is gradually imploding. After a visit to Columbia University, Min Suk considers applying to schools in America, but when the fantasy of a fresh beginning as a New York college student collides with the grueling reality of the entrance exams, he begins to retreat again into uncertainty." --taken from back cover
This book offers accessible frameworks for devising original theatre, developing critical understandings of racial and gender justice, and supporting youth to imagine, create, and perform possibilities for a more just and equitable society. This work begins to confront oppressive narratives and disrupt patriarchal systems--including white supremacy, racism, sexism, and homophobia.
At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of Asian America in accordance with their unique set of sensibilities. Discussed are better-known plays such as Frank Chin's "The Chickencoop Chinaman," David Henry Hwang's "M. Butterfly," and Velina Hasu Houston's "Tea," and new works like Jeannie Barroga's "Walls" and Wakako Yamauchi's "12-1-a.""
While on a forgettable first date together in Ohio, a black man and a black woman are pulled over for a minor traffic infraction. The situation escalates, with sudden and tragic results, when the man kills the police officer in self-defense. Terrified and in fear for their lives, the man, a retail employee, and the woman, a criminal defense lawyer, are forced to go on the run. But the incident is captured on video and goes viral, and the couple unwittingly becomes a symbol of trauma.
This award-winning documentary explores portrayals of Asian men in American cinema, chronicling the experience of actors who have struggled against Hollywood's ethnic stereotyping and discriminatory practices. The Slanted Screen covers the practice of using Caucasian actors in yellowface makeup, drawing upon a wealth of materials, including 50 rare film clips spanning a century. The program, which was broadcasted nationally on PBS, features voice-over narration by Daniel Dae Kim as well as interviews with actors Mako, James Shigeta, Jason Scott Lee, Cary-Hiroyuki Tagawa, Will Yun Lee, and Tzi Ma; producer Terence Chang; director Justin Lin; and casting director Heidi Levitt.
The collection solo/black/woman features seven solo performances by emerging and established feminist performance artists from the past three decades. The scripts are accompanied by interviews and critical essays, as well as a DVD showcasing the performances. The performers range from Robbie McCauley and Rhodessa Jones, who were at the leading edge of the solo monologue boom of the 1980s, to new talents such as Stacey Robinson and Misty DeBerry. Collectively, their work displays an enormous range of aesthetic approach and thematic emphasis. The anthology offers a comprehensive, stimulating introduction to the beauty, richness, urgency, pleasure, and political promise of black feminist performance.
Cheryl is a twenty-something black lesbian working as a clerk in a video store while struggling to make a documentary about Fae Richards, an obscure black actress from the 1930's. Cheryl is surprised to discover that Richards (known popularly as "the Watermelon Woman") had a white lesbian lover. At the same time, Cheryl falls in love with a very cute white customer at the video store (Guinevere Turner from Go Fish). Such are the complexities of race and sex in this startlingly fresh debut, which has been attacked by conservative Congressmen for having been funded by the NEA and lavishly praised in the editorial pages for being charming and courageous.
Set against the iconic landscape of the Southwest, Racing the Rez promises to yield a powerful, intimate view of transformation and hope. In the rugged canyon lands of Northern Arizona, Navajo and Hopi cross-country runners from two rival high schools put it all on the line for Tribal pride, triumph over adversity and state championship glory. Win or lose, what they learn in the course of their seasons will have a dramatic effect on the rest of their lives.
When Keith Mascoll was struggling, he turned to art to cope. And he quickly realized it could help others as well. In 2018, the Cambridge actor and mental health advocate founded The Triggered Project, a series of creative endeavors designed to help men of color who are survivors of sexual abuse.